Producer, composer and artist Brian Eno has announced that his upcoming ambient album, Reflection, will be released as a generative application, in addition to standard formats.
Reflection is the latest work in a long series of ambient instrument albums by Eno. The pedigree of this piece includes Thursday Afternoon, Neroli and LUX.
Here’s what he has to say about the generative app version of Reflection:
Reflection is the most recent of my Ambient experiments and represents the most sophisticated of them so far.
My original intention with Ambient music was to make endless music, music that would be there as long as you wanted it to be. I wanted also that this music would unfold differently all the time – ‘like sitting by a river’: it’s always the same river, but it’s always changing. But recordings – whether vinyl, cassette or CD – are limited in length, and replay identically each time you listen to them.
So in the past I was limited to making the systems which make the music, but then recording 30 minutes or an hour and releasing that. Reflection in its album form – on vinyl or CD – is like this.
But the app by which Reflection is produced is not restricted: it creates an endless and endlessly changing version of the piece of music.
The creation of a piece of music like this falls into three stages: the first is the selection of sonic materials and a musical mode – a constellation of musical relationships. These are then patterned and explored by a system of algorithms which vary and permutate the initial elements I feed into them, resulting in a constantly morphing stream (or river) of music. The third stage is listening. Once I have the system up and running I spend a long time – many days and weeks in fact – seeing what it does and fine-tuning the materials and sets of rules that run the algorithms.
It’s a lot like gardening: you plant the seeds and then you keep tending to them until you get a garden you like.
The app version is a collaboration with developer Peter Chilvers, who notes, “Moving the composition into software allowed an extra opportunity; the rules themselves could change with the time of day. The harmony is brighter in the morning, transitioning gradually over the afternoon to reach the original key by evening. As the early hours draw in, newly introduced conditions thin the notes out and slow everything down.”
Reflections is available to pre-order now on iTunes and Amazon and will be released on Jan 1st.
I can just see the you tube videos now (remixes of classic songs abound there)
wonder what launchpad videos will be like
Generative music is soulless. Never been keen on the whole concept.
Never been keen on the concept of soulfulness
I kinda feel like in a way generative music is actually more soulful than a lot of other electronic music. Sure, nothing beats a human hand playing a keyboard or drums, but generative music to me feels like it might have more soul than moused in midi in the sense that the soul ends up coming from the machine itself rather than the person.
He blazed a trail in his early years, now not so much.
Produce a piece of work more essential than The Shutov Assembly, then leave your (arrogant) criticism here.
God I hope it supports ableton link
“It’s a lot like gardening: you plant the seeds and then you keep tending to them until you get a garden you like.”
You know when he’s invoking Chance the Gardener (Chauncey Gardiner) he means business.
I read at Pitchfork that it doesn’t support Android!? Shame.
I hope that this time (unlike scape), the app will be available for iphone too. I prefer having a phone than an ipad in my pocket when I go by train to work. 😉
It’s not an entirely unique concept. In fact, a lot of us use tools with loops and randomness that can create such music if we like. I’m not judging it harshly though. I kind of expect that in coming years we may see more and more of this as music and technology continue to collide for better and worse.
I made an open source generative MIDI sequencer in Pure Data if anyone wants to work on building their own generative software. Also interested to listen to Eno’s new program. Scape was excellent and very fun with some effects. I wonder if this new one will still play like an instrument or will be a more passive experience.
https://voidpulse.bandcamp.com/album/vpul005-ancient-machine
https://github.com/KyleWerle/ancientMachine