Sunday Synth Jam: This video, via David Ryle, captures a live ‘space music’ performance, Ganymede Terminal, with a 5U monster synth, Roland System-8, Dave Smith OB-6 and Behringer DeepMind 12.
Here’s what Ryle has to say about the technical details behind the performance:
Modular synth for the bass line, percussion and a 16th note octave sequence.
The Oberheim/Dave Smith OB6 for a starting arpeggio, the Roland System 8 for some bridge chords and the Behringer DeepMind 12 for reverb-drenched chorus chords.
The main bass line sequence and percussion were generated by STG Soundlabs Time Modules. The bass sounds realized on the Moslab 901 VCO’s and 904-A LPF.
The sixteenth note line introduced halfway in is the synthesizers.com Q119 sequencer to an Ian Fritz/Doug Slocum Double Dekka Ultrasonic VCO fed to two EG’s and a Yusynth Minimoog filter.
Delays included Modcan dual delay, Lexicon MX200 (x2) and Behringer DD400.
The snare is a TipTop Audio SD808.
Played live in the studio and recorded to a single stereo track in Cubase. Video recorded with an iPhone7 and edited in Final Cut Pro.
talk about a wall of sound
thats not live the patch cables are already in place.
Excellent live performance. Where soul and passion break through the nerdology of modular synth society. Something real was composed, created. Not just a noodle. 7-)
Money makes no music
THIS IS FACKIN AMAZING!!!!!!!!!!!!!!!!!
thanks for the nerd details. i played this LOUD!