Arturia today introduced Pigments 3, a major update to its ‘polychrome synthesizer’ that adds a variety of new synthesis options: additive synthesis, a utility engine with sub oscillator and dual noise sample players, the filter from Jup-8 V, four new effects and more.
Here’s what’s new in Pigments 3:
- Harmonic engine – detailed additive synthesis with up to 512 partials, dual formant filters that can be morphed from A to B, odd and even harmonic customization, and various colorful ways to modulate partials
- 3rd Utility engine – add an extra oscillator layer and up to 2 noise sample layers to Pigments’ dual-engine sound for extra depth and sonic color
- 64 new wavetables, bringing the total to 164
- Ramp waveform, for Virtual Analog engine
- Jup-8 V4 Low-pass filter – the revered filter from our meticulous emulation of a polysynth icon
- Enhanced filter routing – route either filter to either FX bus for detailed sound
- Pitch Delay – a clean, modern algorithm for creating exciting pitch-shifting ambience
- Multi-Band Compressor – a much-requested tool for creating a tight mix-ready sound without ever leaving Pigments
- BL-20 Flanger – a faithful reimagining of an elusive analog studio effect
- Chorus JUN-6 – one-touch analog sparkle and stereo fatness, taken from our faithful Juno-6 emulation
- Expertly-crafted new presets by world-class sound designers
- Enhanced in-app tutorials from the product designers
Pricing and Availability:
Through May 13th, Pigments 3 is available for 99€/$ (normally 199€/$). The update is free for existing users. See the Arturia site for details.
Just pull the plug and bought it… 69 quid special price, can’t go wrong with that. Arturia really know how to design great user interfaces. It’s such a deep synthesis engine and at the same time so easy to use and create complex, modular-like patches in no time. Hats down.
It is very nice to see that this is a free update to existing users. Other companies should take note.
Love pigments. Thanks for the free upgrade.
512 partials in their new additive synth seems like a useful middle ground. The method is a serious cousin to FM and wavetables anyway, so I look forward to seeing where the Venn diagram goes between them. Kudos for the intriguing new effects, too. They’ll add some classic muscle to the analog side.