Behringer shared this sneak preview of their upcoming BMX Hybrid 8/12-Bit Sampling Drum Machine.
The Behringer BMX isn’t a straight knockoff or clone of the original. While the BMX copies the look and layout of the original Oberheim DMX, and uses knockoff-style naming, it adds sampling support, which promises to make the drum machine more flexible than the original.
Tom Oberheim is not involved in the development of the BMX. In a statement shared earlier this year, Oberheim said “There is, of course, no collaboration between us and no discussions of their plans for synths or anything else.”
Behringer isn’t saying anything definite about the status of the BMX at this point, just that they’ve “achieved another major engineering milestone.” The photo they shared appears to show a prototype with working operating system.
The Behringer BMX was originally announced in 2017, along with the company’s take on the classic Roland TR-808 and TR-909 drum machines. At that point, it was called the ‘OBX’.
Here are the specifications that they shared at that time:
- Recreation of one of earliest and most influential digital drum machines
- 25 sounds: 3 Kicks, 3 Snares, 3 Hats, 6 Toms, 2 Rides, 2 Shakers, 2 Tambs, Rimshot, Handclap, Crash & Click
- 8 voice architecture with independent level & pitch controls for each voice
- High-resolution real-time sequencer with non-destructive quantization for capturing finger drumming performances
- Additional step sequencer mode with 64 steps per pattern with storage of up to 64 patterns and 16 songs
- Integrated Wave Designer with individual attack and sustain controls for studio quality drum sound
- Integrated dual-mode filter with dedicated frequency and resonance controls for huge sound shaping options
- 8 independent analog outputs to record your patterns as multi-track audio
- Easily readable 7-segment 4-character LED display for tempo with dedicated tap tempo button
- 24 velocity sensitive pads with bold, full-color LEDs
- Up to 99 loop measures of each pattern change with 16 pattern changes per song
- Songs can be chained together for expanded compositions
- Unique Auto Scroll feature for extremely easy operation
- Comprehensive Midi In/Out/Thru and USB implementation for synchronization and connection to external devices
- Per-track Solo and Mute for enhanced realtime control
- Sync options include USB, MIDI, clock and internal
- Powerful headphone and L/R main outputs on 1/4” TRS connectors
- 3-Year Warranty Program
These specifications do mention audio input or sampling capabilities, so it’s clear that the design has evolved since the original announcement.
Pricing and Availability:
Behringer BMX pricing, availability and official specs are still to be announced.
Red, yuck.
Those god darn ‘Commies’ brah!
@ john
Nice looking unit…the panel looks blue to me…..looking forward to the reviews.
button 21, red LED. the red LED on the RD9 is also very hard to see unless the lighting is subdued.
If only B would be a bit more self-confident & put these kinds of features into a case that doesn’t rely on someone else’s work/legacy. Those specs read like this will be a good drum machine.
Oberheim (the man & the company) is a class act, Behringer ought to study Oberheim’s behaviour & innovation rather than his products.
Sampling’s probably in a menu, it doesn’t look like they changed the physical design at all from the last photos we got and the rear panel there had an audio input.
I’d like to know more about the bitrates and frequencies available for samples, and the AD/DA converters.
So, where’s the news?
If Behringer had the decency to actually ask for permission and come to some kind of agreement with everyone they are cloning i would buy all their products.
This way they are doing i will never ever buy anything by them. I don`t even watch YT videos if i see a product by them anymore.
Not elegant
Do you feel the same way about your “cloned car”?
if its not a Ford or Mercedes its a clone.
what’s the difference? 😉
I really would like to know.
Kind of a BS response, lala.
You know that Ford doesn’t copy of the Porsche 911 and call it the ‘Fordsche 911’, which would be equivalent to what Behringer does.
Your comments indicates that you think all synthesizers are the same. If you’re that ignorant of synths, why are you even commenting on a site like Synthtopia?
everybody is cooking with water 😉
and everything in the car world is some clone of uncle ford / uncle benz ideas, if its not an electric car … 😉
the synth world is no different …
how very original and innovative, huh?
enjoy your brand logos 😉