Joranalogue x Hainbach Intro Collide 4 Quadrature Spectral Computer Module

Joranalogue has announced a new collaboration with synthesist Hainbach, the Collide 4 Quadrature Spectral Computer Eurorack module.

The new module was inspired by a visit, during Superbooth, to Hainbach’s studio, which is filled with old test gear and esoteric instruments. The meeting set in motion a collaboration that led to the new module.

I teamed up with Belgian Eurorack module manufacturer Joranalogue to solve one of the biggest problem I had with my wall of test equipment: I could use it in the studio, but not play it live, It is just too heavy and fragile, being about 50 years,” notes Hainbach. “With our new module Collide 4, I and everyone else can now take the wonderful textures and sonic possibilities of nuclear research equipment on the road. “

Here’s what they have to say about Collide 4:

“The origins of electronic music are found within the early works of a small group of forward-thinking mid-century composers, harnessing electronic test gear to create strange new sounds. Building upon this heritage, today everything comes full circle again through Collide 4.

The first hardware release to be co-developed by acclaimed musician and YouTube sensation Hainbach, Collide 4 builds upon the lock-in amplifier concept, and brings it into the Eurorack world. These atomic age physics research instruments are known for their raw power when used in musical applications. Now, any synthesist can experience this for themselves, at a fraction of the size and weight of a vintage unit, and with full voltage control.

The result is a wholly new kind of analogue synth voice and audio processor, with capabilities far beyond what the avant-garde pioneers could have imagined. Collide 4 is an expression of Hainbach’s extensive experience in exploring the deepest musical realms contained within vintage test equipment, and the Joranalogue philosophy of electronic instrument design.

Honouring its innovative dual-phase architecture, this new kind of musical generator and processor has been christened the ‘quadrature spectral computer’. The sound? Quite simply: it’s smashing!”

Features:

  • Modern, fully analog Eurorack format re-imagining of the lock-in amplifier concept, expanded to new heights.
  • Pingable variable bandwidth filter with self-oscillation capability.
  • Pre- and post-filter gain stages, for a total of up to 130 dB of amplification
  • Through-zero sine/cosine quadrature oscillator.
  • Hilbert transform network for frequency shifter use.
  • Dual ring modulators with output lowpass filters.
  • Extensive output section, including magnitude and phase analogue computing outputs.
  • Unique X/Y quadrature topology, ideal for stereo use.
  • “Handsome (and useful)” signal level/overload LED indicator.
  • CV control over everything, with temperature compensation and excellent volt/octave pitch tracking.
  • 20 HP, 30 mm deep. Over 600 components, yet a fraction of the weight and size of a vintage Model 124A lock-in amplifier unit.
  • Impedance-compensated outputs with dual-color LEDs.
  • Trim potentiometers accessible from the front panel.
  • Precision-milled 2 mm anodized aluminum front panel with high-resolution, non-erasable graphics.
  • Bullet-proof design: polarized power header and MOSFET protection circuit.
  • Includes 16-to-10-pin Eurorack power ribbon cable.
  • Premium mounting hardware: black screws, black nylon washers and matching hex key.
  • Supplied with fold-out signal flow and front panel diagram.
  • High-quality components and assembly; designed and made in Belgium.

Official Intro Videos:

Pricing and Availability:

The Collide 4 is available now with an MSRP of €650 (EU) or $650 (US).

8 thoughts on “Joranalogue x Hainbach Intro Collide 4 Quadrature Spectral Computer Module

  1. I have just ordered three of these, despite having no idea what they do. If Hainback uses them then they must be good, especially for iambent muzak I love so dearly.. anyways, one for my 18u monster case, one for my beach/YouTube case, and one for the special man in my life 🙂

    Also why no coverage of the Photosynthesis? I just ordered two!!

      1. The contact mic never crossed my mind! At the beach I tend to patch white noise to an LFO modulated filter to represent the sea. I then run this through Clouds as it’s iambent music and I consider Clouds the most innovative module ever made. Perhaps I could replace the Noise/Filter/LFO combo with the contact mic?

        1. Yeah, or a small dynamic into Collide, or both. Like one of those old ones they used for tape recorders, or anything with a minijack. Then you have the sea already and can filter into what parts you like. Its magical.

            1. Awesome module! I tried the microphone to use the sea as a source but t didn’t really go to plan.. I live in Florida and being on a packed Miami Beach the microphone picked up the grunts of men lifting weights and the slapping of gentleman sunbathing next to me applying his sunscreen – which believe me has a wonderful appeal of its own 🙂

          1. Earlier today I covertly positioned contact microphones in the men’s toilets and changing facilities at my local beach. Got some great timbres when processed through Collide 4 and Clouds. Unfortunately I had to remove them after complaints and a visit from Miami Dade PD – caused quite a commotion actually

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