Noise Engineering Announces Batverb Pedal: Experimental Reverb, Delay, & Infinite-Tail Generator

Noise Engineering, best known as a maker of synthesizer effects and sound sources, today announced Batverb, a distinctive stereo reverb “with a twist.”

The Batverb pedal’s parameters allow the resulting effects to morph organically from slapback delays to infinite reverb tails.

“Batverb was inspired by our Desmodus Versio module, but when we tried to bring the Desmodus experience to guitar, we realized quickly that we would need to rethink the approach. Batverb shares concepts with Desmodus but shares zero code: the entire thing was redesigned from the ground up, with the dynamics and tonality of guitar at the forefront,” said Stephen McCaul, Chief Noisemaker at Noise Engineering.

“Working with guitar was key, but what sounds great on guitar also works really well for loads of other instruments,” adds NE’s Kris Kaiser.

Batverb’s stereo I/O and MIDI integration make it suitable for a wide range of instruments.

Along with predelay/delay Time and Regen controls, Batverb includes a number of parameters for shaping the tone of the reverb itself. The Grit switch adds a unique harmonic distortion to the tail or the whole mix, and the Doom and Shimmer controls add in subharmonics and overtones. Batverb also has onboard adjustable highpass and lowpass filters to shape the tone to taste.

Batverb’s configurable Bypass footswitch can cut the reverb tail immediately, or simply mute the input to the reverb processor, allowing the tail to ring out while you play. The Infinite footswitch mutes the input to the reverb tank while maximizing the feedback for an infinite atmosphere.

The innovative Duck switch uses the dynamics of your playing to shape the reverb tail. Use the right setting to duck the reverb out of the way of your guitar’s tone, or the left setting to make the reverb’s dynamics match your guitar’s.

Batverb also stores/recalls up to 16 presets with MIDI Program Change messages. Batverb features a convenient MIDI thru jack, so it’s easy to patch into your MIDI control chain. In addition, all parameters can also be controlled via MIDI for automation and remote control from a DAW or configurable controllers.

Features:

  • Separate Doom and Shimmer controls add in chaotic suboctaves and haunting overtones
  • Low-pass and high-pass filter settings for the reverb tank allow you to add filtering and harmonics to reverb tails
  • Built-in dynamic distortion can apply to only the wet signal or the whole output
  • Onboard dry/wet Blend control and input- and output-gain parameters
  • Unique Duck switch controls the reverb’s behavior: duck out of the way of an input signal, or match the dynamics of your playing, similar to a gated reverb
  • Create instant atmospheres with reverb-freezing Hold footswitch
  • Route the expression input to any parameter on the pedal
  • Configurable bypass
  • Store and recall 16 different presets and recall them with MIDI program-change messages.

Pricing and Availability:

Noise Engineering’s Batverb pedal is currently available for preorder for MSRP $499 USD. The pedal will ship from Noise Engineering and retailers starting March 13th, 2025.

4 thoughts on “Noise Engineering Announces Batverb Pedal: Experimental Reverb, Delay, & Infinite-Tail Generator

  1. Glad to see Noise Engineering take a step back from their strange eurorack modules which I cannot grok, and put their heads together to make a really nifty pedal. It’s on my shortlist! I always liked those guys/girls at Knobcon and now I have a reason to spend more time in their booth.

  2. Cool pedal, but as with this company’s other products I think it’s way overpriced.
    For example the Hologram Microcosm is bigger, got more controls, more settings and cost less at $459. I guess it costs a lot to develop new products these days.

    1. The Trump tariffs are going to hit US synth manufacturers pretty hard… First on components to build the stuff, then on retaliatory tariffs on export markets.

  3. more reverbs should have ducking – I have been using the mutant delay and reverb plugins that have ducking and it has really become a mainstay

Leave a Reply

Your email address will not be published. Required fields are marked *