Cherry Audio Yellowjacket Emulates Vintage EDP Wasp Synthesizer

Cherry Audio has introduced Yellowjacket, a new software synth that emulates the 1978 EDP Wasp synthesizer.

Yellowjacket expands on the original by offering 16-voice polyphony, new synthesis options and an advanced arpeggiator with probability and humanize controls.

Here’s what they have to say about it:

“Cherry Audio has reproduced the singular buzzy tone and drone of this legendary monophonic, digital/analog hybrid, from its quirky oscillators to its distinctive filter. Further influenced by the pioneering spirit of its inventors, we’ve added several innovative features to Yellowjacket, reenvisioning what could have been. These include elements of other EDP instruments, unison and 16-voice polyphony, emulation of the Wasp’s integrated speaker, an expanded multimode filter, and a new-to-Cherry advanced arpeggiator with probability and humanise controls.

We’ve replicated the look of the notorious touch-capacitive yellow and black keyboard of the original, enhanced it with diatonic scales and transpose, and extended it with customizable pressure control with support for expressive channel and polyphonic aftertouch. Perhaps the most exciting feature of Yellowjacket is directly inspired by EDP’s innovative pre-MIDI system that allowed multiple synths to be chained together: multi-voice modes that add adjustable “mini synths” that can provide subtle or extreme variation in tone, single-fingered chords and arpeggiated patterns, lush stereo effects, and more.”

Features:

  • All aspects of the 1978 EDP Wasp monophonic synthesizer have been modeled in detail, and enhanced with several new features
  • Over 270 presets
  • Monophonic, unison, polyphonic (4, 8, or 16 voices), and cycle voice modes with glide
  • Multi voice modes for unison, poly, and cycle that add per-note variation by adding three additional “mini synth” panels, each with their own pitch, pan, filter frequency, VCA Envelope Attack, and VCA Envelope Release settings.
  • Quick-access Multi voice panel presets such as Hard Panned, Slightly Detuned, Well Worn, and more to simulate subtle or extreme variations between multiple chained synths
  • Dual panel views with a main Edit view for synthesis controls, and an Arp/FX panel with extended features
  • Two distinct oscillators with ramp, pulse, square wave, and an enhanced modulated pulse-wave based on the EDP Gnat
  • Oscillator sync
  • Mixer for both oscillators and a white noise signal generator
  • Syncable control oscillator (LFO) with free and retrigger modes, and sine, ramp, sawtooth, square, noise, or random waveforms for pitch, filter, and amp modulation
  • Vintage-correct two-pole 12dB state-variable filter based upon the CD4069 logic chip of the original, with lowpass, bandpass, or highpass, with an extra notch mode, and the “Q” resonance setting
  • Two envelope generators: a VCA Envelope for volume control with a repeat function, and a Control Envelope that modulates filter cutoff frequency with positive and negative modulation, as well as looping and adjustable attack settings
  • Output control with meter and settings for volume, panning, master tune, and limiter
  • Support for velocity, channel aftertouch, and polyphonic aftertouch with compatible USB/MIDI controllers
  • Keyboard pressure control with six modulation routings: volume, pitch, filter cutoff, mod wheel, reverb decay/mix, and an assignable control that allows a user to select any one of 29 preset synth and effects parameters
  • Enhanced capacitive-style keyboard with root and diatonic scales controls, and a transpose control that quantizes notes from the USB/MIDI controller
  • Multi-touch enabled (Windows only) – capacitive-style keyboard and pressure meters on the keys respond to multi-touch vertical motion on compatible touchscreen monitors and gesture-capable tablet devices such as Surface Pro.
  • User-selectable pitch bend depth from 0-12 semitones
  • All new and dynamic arpeggiator with Chance (step probability) and Humanise to add degrees of randomness to arpeggiated patterns. Combine with the Cycle modes and Scales to create varied patterns, even with the touch of a single key, and create transposable four-note step sequences through Multi voice panels
  • Speaker effect (mono) with Hiss and Hum controls that simulates the original instrument’s onboard speaker for a lo-fi tone
  • Five more studio-quality integrated effects: new Octafuzz multimode overdrive/distortion effect, 4/6/8/10-stage Phaser,
  • Flanger/Chorus, three syncable Echo delays, and five Reverb types. Global FX Out panel with On/Off, Level, and Stereo Expand
  • Standalone virtual instrument and plug-in versions included

Cherry Audio Yellowjacket Intro Video:

Pricing and Availability:

Yellowjacket is available now for $49 USD.

17 thoughts on “Cherry Audio Yellowjacket Emulates Vintage EDP Wasp Synthesizer

    1. Careful a wasp might fly in.

      I am excited by this. A synth from my youth and I have a hardware version – minus the extras Cherry have added. I get a lot of use our of these less feature rich synths, immediacy helps.

  1. With Cherry releasing several new softsynths per year, it makes me wonder — where is Arturia? The V Collection used to be on a similar roll. I started buying it at Version 7, but stopped at Version X which is super lame. And Arturia hasn’t made a single software drum machine which seems like a fairly obvious gap in the V Collection. I haven’t been excited about anything coming out of Arturia (hardware or software) for nearly 3 years.

      1. $300 for me to upgrade from 9 to 11, even though I already paid for MiniFreak.

        Given that I really only want the JP-8000 and Synthex, $300 is way too much. I don’t know why they started including the Augmented Whatever. Maybe they’re good, but they should be a separate product line since they’re not emulations of classic synths.

        Disappointing.

    1. They are releasing V Collection 11 tomorrow. Roland JP8000, Play sampler synth, revised SEM and inclusion of Minibrute plus some others…..so the rumour mill says. get your wallet out!

    2. They did release the Spark drum machine, but never included it in the V Collection and seem to have abandoned it. There was even an iPad version that worked with the SparkLE hardware. The sequencer lacks modern features, but the app is really quite versatile otherwise. I wish they would update it to version 3 and throw it in the V Collection.

      1. You can get under the hood of Spark and build drums like Reaktor. Yest it would be great to have it developed. They could even break out of the “drum machine” interface GUI and build something bigger or better

    1. A two-second Google search reveals that they are registered in the US. However, small software companies like this tend to be organized decentrally and consist of freelancers who can be spread around the globe, so being registered in a certain state does not really mean much.

  2. Cherry Audio is a US company featuring several pros from different areas that figure into building and marketing a good synth. Its made up of synth lovers and IMO, it shows. I’ve got 4 of their polys and the free SEM, all of which sing beautifully. Their tools deliver and so does their customer service.

  3. I’ve got them all & they each are excellent. Close as I’ll ever come to the hardware. 🙂
    Cherry Audio is cherry!

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