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Tag: Audio Recorder

Zoom H8 Smartrecorder Offers Custom Touch Interfaces For Field Recording, Dawless Studio, Podcasting

The Zoom H8 features 10 inputs, 12 simultaneous recording tracks, interchangeable mic capsules, remote control via iOS and an App-driven touchscreen interface.… Read More Zoom H8 Smartrecorder Offers Custom Touch Interfaces For Field Recording, Dawless Studio, Podcasting

July 4, 2020July 4, 202012 Comments

Loopfield Update Brings Audiobus IAA Support & More

“It’s a massive update that brings Audiobus support among other things….”… Read More Loopfield Update Brings Audiobus IAA Support & More

February 11, 2019Leave a comment

Zoom Intros H3-VR Ambisonic Audio Recorder

The H3-VR records four channels of audio, using a 4-capsule Ambisonics mic. The H3-VR can also playback stereo files both in standard and binaural modes.… Read More Zoom Intros H3-VR Ambisonic Audio Recorder

September 18, 2018September 18, 201811 Comments

Zoom F8 MultiTrack Field Recorder Designed With Filmmakers & Sound Designers In Mind

Zoom has introduced the F8 MultiTrack Field Recorder, designed with filmmakers and sound designers in mind. The F8 offers 8-input/10-track recording, low-noise preamps, and support for 24-bit/192kHz audio. Here’s their official intro video:

June 24, 201510 Comments

$20 Turns Your iPhone Into An 8-Channel Audio Recorder

Yudo has introduced Rectools08pro Multi Track Recorder (App Store link), a $20 app that turns your iPhone into an 8-channel audio recorder. This is pretty amazing, when you consider that The Beatles recorded Sgt. Pepper’s with 4-track recorders! Of course, the iPhone imposes limitations on getting audio in and out; as far as I know,… Read More $20 Turns Your iPhone Into An 8-Channel Audio Recorder

June 12, 20091 Comment

Free Mac Audio Recorder

Audio Recorder is a free program that lets you record with your Mac from any input device directly to AIFF, WAV, MP3, MP4 or AppleLossLess formats. Download link

October 5, 2008October 5, 20081 Comment

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Something To Think About

The way that I work in the studio and the way Plateaux was done for the most part is that I’m listening to the atmosphere at the same time that I’m playing so that the treatment influences what I play. If you just play the ‘dry’ piano and then you try and go back and make it into something else, it doesn’t have the immediacy or the impact that it could have if played directly against the atmospheric treatments.

— Harold Budd
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