Zoom MultiStomp MS-70CDR Updated With 51 New Effects
MultiStomp MS-70CDR firmware 2.0 adds 51 new effects, in addition to the pedal’s existing 86 effects. … Read More Zoom MultiStomp MS-70CDR Updated With 51 New Effects
MultiStomp MS-70CDR firmware 2.0 adds 51 new effects, in addition to the pedal’s existing 86 effects. … Read More Zoom MultiStomp MS-70CDR Updated With 51 New Effects
Eurorack synth guru DivKid shares his take on what you’ll need to get started, covering case considerations, power, patching, modules and more.… Read More How To Get Started With Eurorack Modular Synthesis
“Do you actually need everything like this?” asks Junkie XL. “No you don’t. Is it fun? DEFINITELY!”… Read More Modular Synthesis With Junkie XL
Sound designer Aiyn Zahev shares his first impression of the new AKAI MPC Live.… Read More AKAI MPC Live First Impressions
The video features New Zealand producer, Peach Milk, talking through her process using the Deluge.… Read More Synthstrom Deluge Hands-On Workflow Tutorial
This set of videos takes a look at how to sample with the new Elektron Digitakt, and how to create synth sounds. … Read More How To Sample & How To Make Synth Sounds On The Elektron Digitakt
The Moffenzeef Muskrat a Eurorack 8-bit wavetable drum synth, or as they describe it, ‘a vile wavetable drum’. … Read More Moffenzeef Muskrat Is ‘A Vile Little Wavetable Drum’ Module
The Transient can recreate individual drum voices or sound like an entire drum machine or loop is playing, morphing from rhythm to rhythm.… Read More Future Retro Transient Eurorack Drum Module Now Available
Here’s a look at what’s new with Circuit Components 1.5 and a demo of using the new Fractional Gate Length feature with a Eurorack modular synthesizer. … Read More Novation Circuit Fractional Gate Lengths
Audio Damage has introduced Grind, a new distortion effect, for Mac & Windows, that is designed to offer everything from subtle tube-style saturation to full-on mangled wavetable distortion.… Read More Audio Damage Intros Grind, ‘A Powerhouse Of Audio Warfare’